C. P. Bere

lithograph in colours, on wove paper

on paper

and India ink on paper

on canvas

, printer unknown.

and India ink on paper

, on Chine appliqué to wove paper, 1920, signed in pencil, numbered 8/25 (there were also five artist’s proofs), with full margins, in very good condition

, on Japon paper, 1925, signed in pencil, numbered ’3/10 ép. d’artiste’ (an artist’s proof, the edition was 50), the full sheet, in generally good condition

on paper

and India ink on paper

on paper

, on Chine appliqué to Marais paper, 1946, signed in pencil, numbered 6/25 (there were also four artist’s proofs), with full margins, in generally good condition

, on Arches paper, signed in pencil, 1929, annotated ’Essai’ (a proof aside from the edition of 50), with margins

, on wove paper, 1929, signed in pencil, numbered ’ép d’artiste 4/5’ (an artist’s proof, the edition was 25), with full margins

on paper

, on Marais paper, 1929, signed in pencil, numbered 14/25 (there were also five artist’s proofs), with full margins, in very good condition

and pencil on paper

, on Chine appliqué to wove paper, 1929, signed in pencil, numbered 5/25, with full margins

on paper

, on Japon paper, 1929, signed in pencil, numbered 16/50 (there were also ten artist’s proofs), with full margins, in generally good condition

, on Rives BFK paper, 1952, signed in pencil, numbered 10/15 (there were also five artist’s proofs), with full margins, in good condition

and India ink on paper

, on Chine appliqué to Arches paper, 1929, signed in pencil, numbered 20/25, with full margins

, on Japon paper, 1927, with the artist’s stamped-initials, stamped ’Essai’ (a proof aside from the signed edition of 150 published by Galerie d’Art Contemporain de Paris), with full margin

on paper